CHAPTER 8: THE ENERGY ARTIST
The Eighth Step of Creating From the Future with Multi-Dimensional Technologies is to Inte-
ntionally initiate Transformations of Consciousness;
i.e.,to create with energy alone. "Before
we perform Intentional manifestations or healing, we
"Charge Ourselves Up", using whatever method
works best for us__ Breathing Exercises, Music, Dance, Prayer, Chanting, etc.."

                                                                      CONTENTS                
    * "The Orcas Island Vision"
        * Outside the Box.
    * April, 1989__ Major energy imprint to Earth.
        * The New Consciousness Grid.
    * Thoughts are Energies; Emotions are Energies.
        * The Energy Artist Evolves.
        * Moving Energy and Matter between dimensions & densities.
        * Genius and Brain States.
        * Responsibility for growth in consciousness.
        * Self-security.
        * Your Truth is what you can do.
        * Dimensional Shifts.
    * "The Black Pyramid."
    * "Double Identity."
        * True Transformations.
       * Creating with Energy Alone.

The Orcas Island Vision
October 10, 1988: Over the past month I kept feeling the urge to go to Orcas Island. Melissa, fellow
alternative healer, was frequently communicating with me, & we both decided to go there with our cr-
ystals & meditate  in an attempt to open the vortex there. The
A.R.E.,  Edgar Cayce group,  was giv-
ing a seminar in
Seattle on  "You Can Be Your Own Psychic."  I'd hoped to find out something  about
how to introduce my psychic information to the public,  since there were no "ready-made" jobs  availa-
ble for psychics. I told friends & family I was going to Orcas to visit its artist & healing colonies.
              
MEDITATION  brought information that  ORCAS  (meaning "Whale" or "Cetus")  held an "underworld"
connotation
: Whales are the largest mammals now on earth,  and they communicate underwater with
S
ound. This seemed analogous to our Subconscious Mind, which can communicate with the Creati-
ve Forces of the Universe. "Orcas" was symbolic for me of Pluto in Cancer, 4th House in my birth ch-
art.  On this day of meditation,
 transiting (presently moving) Pluto was forming  a harmonious aspect
to my
transiting North Node indicating Transformation of my Soul's Evolutionary Mission.

Higher Self  had earlier asked me  to examine my  "
12 Past Lives of  Significance"  over this summer.
H.S.then explained how each of those 12 Past Lives indicated
when and how  one of my Subtle Bod-
ies__ etheric, emotional, mental, or  spiritual light body__ had developed
;  although most needed to
be repeated for completion. Each Past Life was an Initiation Lifetime, signifng entry into a higher level
of consciousness, through the realization and fulfillment  of each particular subtle body  & its interface
with the culture of the times. The Life itself was the Initiation. An "Initiation" is not what  
happens to an
individua__ but depends upon the individual's
response to the event.

H.S.:  "This is why many persons now retrieving their past life information have recalled lives in the
same time period, cultures & similar situations.  The Hebrew, Chinese, Tibetan, Sanskrit-Hindu,  E-
gyptian, Native American lives, etc.__are those civilizations which reached their peaks, enabling in-
carnated souls to experience an  'initiation' through the high development  of one of their subtle bod-
ies
. This present historical period is a culture which enables the 5th Initiation__ the Light Body__ to
be evolved and fulfilled
(for those who completed the previous 4th Initiation, or for anyone who CO-
NSCIOUSLY attempts to evolve it.)

"
Higher Self ended: The partnerships having been agreed up-on shall be called to activation."

Following these suggestions, investigating the past lives, but sensing I'd overlooked something, won-  
dering if i hadn't yet released from them. I was Guided to  Seattle & to Orcas Island  in
Puget Sound,
and Melissa revealed  she had received a similar message,  and she &  friend
Delia  left from Alaska,
as
Hal and I drove from Idaho,

We met at the Red Lion Inn near
Sea-Tac for the Psychic Potential seminar  sponsored by the Edgar
Cayce Association for  Research and Enlightenment  (A.R.E)
.  At 3 PM,  Kevin Ryerson, chan-
neler for  
Shirley MacLaine in her  "Out on a Limb" TV series,  prepared to channel for the group. E-
ager to learn what I'd missed about the past lives,  I planned to ask Ryerson about it__  but before he
began,  the moderator announced that  with the unexpectedly large attendance,  we must confine our
questions to topics of general interest__  personal questions are out. Rats!  I've come over  700 miles
and now cannot submit my request. The program begins
:

Kevin enters an altered state and the entity  "John" begins to speak. I'm shocked:  I know that voice!
I've often heard it in meditation. Then I realize what John is saying
: "Rather than past lives,  look first
to childhood for what needs to be released
."  I feel it's my personal answer!  It's not from a  past life__  
it's something from childhood that I've not yet cast aside!

Next day,  we four head up the  
Washington coast  toward the  San Juan Islands  ferries. The motel
that night is very noisy and uncomfortable,  allowing little sleep. Over the next two days,  I find no time
to meditate. Planets Saturn & Uranus are about to have their final conjoining on
October 18, 1988, at
the  Galactic Heart Center in the zodiac sign of  Sagittarius.  Tremendous tension builds up the closer
we get to Orcas.

Our first day on Orcas,  we drive through the
Enchanted Forest where I attune to nature spirits. At the
local
Falstaff Restaurant,  the waitress, "Miriam"  (my name in several past lives)  tells of an article in
the
Wall Street Journal  regarding cults & satanic worship on Orcas.  Although we're trained for minor
exorcisms  & have had to deal with dark forces before,  I do not care for such things.  I start to feel un-
easy about those "
partnership agreements" earlier mentioned.

In our room at the
West Beach Resort, I'm extremely restless. Throughout the night nature spirits whi-
sper about the area, mentioninging the extremely ancient Lemurian vortex there,  centered on nearby
Victoria Island, B.C.,  and it very nearly carries me away. It's even more intense than the Idaho vort-
ex. The devas tell me how
"souls of the seas' gather here regularly, & Druids still practice here. The
devas have been waiting a long, long time. They say if I come here to live permanently,  I will again
be Anchoring the Light and protecting a vortex of great force.

Finally finding some private time, I ask my guides: "What, if anything, does this place, Orcas, hold for
me and our group?"

Earth-Gaia responds: "The Vortex here  has existed since  the founding of the program. The islands
are the tips of ancient mountains  and the valleys under the sea are very deep,  intensifying the pos-
itive and negative polarities to form a powerful energy vortex. The Idaho Stargate's more masculine,  
volcanic and atomic technological forces complement  Orcas' feminine forces of sea and mountains.  
Island peaks function  much as the so-called  capstones' on the  ancient pyramids,  but have existed  
in various forms  far longer than the pyramids . A line extending from Orcas,  through the  Lost River
Valleys of Idaho  and onward,  indicates a similar type vortex  known to the world in general.  Orcas
is the feminine__Lost River, the masculine. The third vortex represents a balanced & integrated ma-
sculine and feminine energies."
                                                                                 
***

(Later, I find that the line passes through  Colorado Springs,  Houston, TX  & through the northeast
tip of the
Yucatan in Mexico.) That evening at  Otter Point Bed and Breakfast, Melissa and I use our
crystals to activate the vortex. We drink ginseng tea, meditate, feel peace and love, but nothing much
seems to happen.

I wake early next morning__ violently ill. The room is spinning, but not horizontally as does a carousel.
On the wall opposite the bed hangs a lovely white & turquoise Hawaiian Wedding Quilt with a circular
pattern.  (Symbols of the merging of masculine and feminine?)  The room spins vertically, causing the
quilt to appear as a windmill,   whirling in rapid, jerky motions__ click, click, click.  My nightgown,  and
sheets are  drenched with cold perspiration.  My sense of touch is gone__ my body numb.  I ask body
where this disorder is centered. "
In the pineal". I begin vomiting.

I can't smell or taste, either. When I drink water, the body rapidly  expels everything. "
I'm getting rid of
all of it
",  I say, not really understanding what's releasing.  When I try to reach the bathroom,  my body
lurches
 from right to left in rapid,  short jerks,  oddly synchronized  with the  spinning of the  Wedding
Quilt. Through the glass doors to the deck, the forest outside spins, too.  So weak, I can barely stand,  
Hal must help me to the bathroom.

My sense of Time is distorted.  Whenever anyone speaks, their words seem drawn out  over ten min-
utes when they're really saying  only a few words.  By the time I hear  the last word,  I've forgotten the
first one.  Nothing makes sense.  Growing steadily weaker and more disoriented, I fight against panic,  
I can no longer get out of bed at all. According to the bedside clock, hours have passed.

Melissa suggests using my big  Vogel quartz crystal to do a healing.  It seems to help. I'm calmer,  the
nausea subsides, but the room still spins, my senses still reel. I'm exhausted. Hal, Melissa & Delia de-
cide I need to rest. I tell them to go outdoors. I'll be all right after I sleep.

Alone, I pray and meditate for guidance. I know whatever I haven't yet let go from childhood is holding
me back from merging my feminine & masculine natures  & from fully entering the vortex.  But what IS
it? In desperation, I throw my arms open across the bed as if nailed on a cross telling Spirit,
"I sur-
render. I have no idea what's wrong. I'm willing to allow
anything if it will just help me through this."

Suddenly I just "know":  the German-American family and community I'd grown up in highly valued
intellectual & cultural attainments.  We were encouraged to study hard and develop our talents to the
fullest. "
A healthy mind in a healthy body" was the family motto. Intellect has been  my every-day
reality mode__ what I've depended upon to attain a sense of security  through my left brain,
logical mind.
 Now I needed to  "let go"  of that dependency. The Intellect is masculine. The Emotion
is more feminine. I also recall how, when I'd come home from school complaining about feeling hurt by
someone's spiteful words or actions,  my parents would say,  "
Oh you shouldn't feel that way!"  I soon
adopted the notion  that I should  
neither feel nor express emotion, negating much of my feminine nat-
ure's ability to contact inner guidance.

But how do you stop thinking, analyzing & seeking logical answers? I thought I set my left bra-
in aside during meditation or creative activities,  but that didn't seem to be enough  for this situation. I
was still trying to retain enough mental awareness  to observe what I contacted, so I could later reco-
rd it in my Journal.

Then I tried,  over & over again,  to release  all thoughts from my being.  Each time,  I d feel myself on
the very edge of a huge abyss,  about to tumble over and down, down into__ what?  And then the left
brain fear snatches me back from the edge, and I start all over again.

Finally__ I lose track of how many times  I tried to surrender  my mental security.  It's now past noon. I
have been sick and dizzy for five hours. Out of desperation  that I'll spend the rest of my life like this, I
finally give in completely to whatever is waiting below in that black whirlpool of infinity. Down, down, &
down I go__ releasing my left brain intellect__to be sucked through into some strange dim realm. The
words, "
black hole' ring in my head until I realize I'm analyzing again__ damn it!

But this time I'm looking down from above onto a deep, dark primeval forest. I see a conical-shaped
hut, built on a three-foot-high platform of earth &  covered with shingles  made from heavy pieces of
bark.  There are  window-like openings  with a sort of  "eyebrow" overhang  like on thatched English
cottage roofs.  But this is not England. It's someplace__ sometime__ far, far older. Lemuria, maybe?  
A small,  hairy, four-foot-tall man stands in front of the hut.  He wears a cape made of shredded bark
decorated with small shells.  It hangs down to his heels & he holds a wooden staff  in his right hand.
On his head rests a cone-shaped hat, also of bark. It's raining__ that kind of steady drizzle that goes
on for days. It's very dark and damp __ a rain forest, perhaps?

But why am I looking at this scene from above? I sense I'm part of a vast group of minds, thinking as
One. And as that collective mind, we announce
:

               "THE CREATURES NEED TO CREATE FROM WITHIN THEMSELVES"  

I have the sense that once this statement is proclaimed aloud and in concert,  it is ordained to even-
tually manifest in the 3-D world.

Suddenly,  the scene shifts.  I'm standing before a temple  made completely of  fragrant cedar wood.
The building resembles an A-frame__ rising to a peak several stories high. I step through its double
doors onto an earthen floor swept smooth, & raked into beautiful patterns. Inside, it's completely op-
en with circular windows in the eaves' ends and another centered in the ceiling.  In the middle of the
room, a person in a white robe sits meditating or tending a fire in a stone ring  before him on the flo-
or. His back is turned to me.  But I'm not eager to see this person's face __ I sense it's
ME!__  Me in
another time and place.

It all seems strangely familiar, & as the scene dissolves,  I become aware of my room at Otter Point.
I open my eyes. The quilt is still spinning and jerking slightly,  but I feel better.  My physical  senses
are returning and,  except for the occasional  odd visual sensations  and an  incredible weakness,  I
seem to be okay again. Hal returns from the beach. I sleep for three hours.  When I wake,  the room
no longer spins. I feel fine. I shower, write in my Journal, eat supper and we watch TV until bedtime.
 
Next morning, its as if nothing has happened. I'm fine, ready to go home.
                                                                               
***
Home again, I  decided we did help open the Orcas vortex. In the Lost River Mountains & Valleys
of Idaho,
I intellectually contacted and studied the structured forces of the universe.

On Orcas__  I'd encountered instead,  an almost complete lack of  finite structure  or stability.  I'd had
to guide myself and experience entirely through my feminine,  right-brain intuition and emotions. In the
years following, the Creative Force taught me more factors about Higher Creativity
:  

Our right brain__our feminine intuitive nature__ is the Common Bond__ that can link our old
reality with the new Unity Consciousness Reality.  And__ as we transmute between  the old
and the new realities during the
Shift of the Ages__ We will experience it with a complete
lack of structure, stability or certainty.

Outside the Box
Two months after Orcas Island,  Higher Self announces that April 16th, 1989 will bring "a major en-
ergy imprint from Spirit to Earth
".  

In January, 1989,  Hal's railroad work relocates us to  St. Louis, Missouri.  On April 16th  we cross
the Mississippi for the opening of the new museum at  
Cahokia Mounds State Park, Illinois. In a fo-
rmer lifetime,  I helped build that huge mound__ whose base is larger than the Great Giza Pyramid__
while serving as a scribe in the  
"Cave of the Mouth", 10,000 years earlier. Hal and I view the muse-
um's model for the new life-size replica of the temple that once sat atop Cahokia Mound__
It is an ex-
act replica of the cedar temple from my Orcas vision!

In 1971, tests on the east lobe of the Cahokia Mound indicated it was built by Native Americans carry-
ing baskets of earth on their backs, as I recalled from my past life.  (The original Native North Americ-
ans were refugees from the demise of ancient Lemuria in the Pacific Ocean.) But the Mound and that
temple were built by immigrants originally from the
Fall of Atlantis,  calling themselves "Olmecs", rea-
ching the Eastern Shores of what is now
Mexico. Later, those immigrants traveled down the coast to
the
Yucatan Peninsula, under the name of  "Toltecs",  and finally settling in the Maya Lands. Even
later they sent colonists up the Mississippi River in dugout cedar canoes to settle in what is now
Mid-
dle America
for trading purposes. The area that became St Louis was once a great trading center for
many indigenous North American
"Mississippians".

The temple atop the mound had been over fifty feet high,  thought to be the residence of the rulers or
priests.  The accompanying slide show at the  Cahokia Museum  pictured a  twenty-seven foot  deep
trench which may have been my past life  "
Cave of the Mouth".  A "Birdman" clay tablet was found on
the mound (
Figure 4) reminiscent of my Closet Birdwoman episode. That same January, 1989 day, I
meditated atop the mound, using the big quartz crystal
:

"THE NEW CONSCIOUSNESS GRID"  is being completed  with the Gateway Arch  across the river
as its tuning fork.  The grids are  key resonant patterns for all life,  all intelligence & all harmonious
energies on this planet. Connecting branches of the energy grid  allow for  implantation of  thought-
forms as they are created, built up and passed along.  The grid will broadcast Unity Consciousness  
through the sacred sites around the globe near The End Times, forming an entirely new thought pa-
ttern for Earth's human race. The Ark of the Covenant was once inside the Great Mound where a co-
lllapsed tunnel and a sacred spring now lie. The Birdman also relates to
Easter Island & to Zimba-
bwe, Africa
."

Is it possible  that I had viewed a  pre-Mississippean,  North American culture when on  Orcas Island?
(Years later, I realized that the paranormal episodes at various geographical locations, were all conn-
ected through the Ley Lines of Earth's Grid.)

Later in
1989 the Berlin Wall fell, re-uniting East and West Germany, symbolizing the merging of the
east and west hemispheres of Earth__of feminine & masculine cultures.
Had every civilization in an-
y time or place, begun to resonate with all others?
 Soon after, in 1992, IBM personal computers off-
ered Microsoft Windows and the Internet,  and E-mails began to race around the globe  on fiber-optic
cables. Another Common Bond linking the two gender realities as One.

We've been taught for lifetimes  to seek answers & fulfillment outside of self.  Now we know that both
questions and answers originate within, as we regenerate ourselves into "
human masterpieces." We
know we're responsible  for our own thoughts,  feelings & beliefs__ as well as for our actions. No one
else can "
make us" angry or "make us" love french fries.

Thoughts are things.  Thoughts are Energies.  Emotions are things.  Emotions are Energies.
Could we influence other energies too__ perhaps  wind, electricity, water or sound?  A new Process
begins.

The right brain/feminine nature is the  Common Bond  enabling us to  replace  the old reality
with the new.  
As we become Artists with Energy,  is it possible that "Creating from Within Self"
is the
Technique we will use to manifest the New Reality?

The Evolving Energy Artist
Reviewing the  Evolution of Consciousness Stages,  we recall moving from the Sleeper Stage__ con-  
cerned mostly with  self-image, survival, affiliation and achievement,  to the second Stage
Seekers__
pondering over and searching for another side to life.  Then we moved on to the  
First Enlightenment  
and  
Observer Stages,  enhancing our creative skills  and taking responsibility  for our inner thoughts,
feel- ings, attitudes and beliefs.

Once we've managed to pass through
"Twilight Time",  actual physical changes occur in the brains
of
 True Enlightenment Stage humans, producing connections to The Group Mind of the planet.
Experiments with positron emission tomography (PET)  proved our brains can rearrange them-selves
in only fifteen minutes,  when excited in new & creative ways. In other words__ just reading this page
can stimulate your brain to change gears!

Only you, and no one else can change you.
"
Creating with Multi-Dimensional Technologies" is not meant to force change, but to provide options
for creative growth & learning. When we open ourselves to change,  others nearby do, too. It's catch-
ing. The
Hundredth Monkey Syndrome arose when  a female monkey on an island near Japan found
some yams washed up on shore. Liking the clean, salty taste, she began washing all her yams in sea
water & teaching her offspring to do the same.  Curiously,  within a very short time, monkeys on near-
by islands were washing yams, although they'd had no known physical contact with each other.

Social scientists now report that when only 8% of the world's population knows something new__ ov-
ernight, 90% of us know it, too. It's the evolutionary principle that  as soon as one individual  masters
a particular bit of  knowledge or  technique, it is instantly available to other humans, and __ in fact, is
born into every new child at birth.
When changing self we start waves of consciousness exten-
ding indefinitely into our collective future
. This may be another  Common Bond fostering our tra-
nsition into a New Reality.

Scientists have long sought a
Unified Field Theory__ a way to integrate all forces, energies & matter,
and to explain why and how things work in the Universe. The Creative Forces are actually the higher
frequencies of  the universal ethers.  They include
:  Divine Mind,  Unconditional/Divine Love and
Divine Purpose
. They actuate when the creative-sexual drive moves up to the throat center.

Expanded Multi-D. Technologies (Part IV)  enable energy artists to  co-create with those For-
ces by moving energy and matter between various densities.

The state of our Higher Creativity can be measured by the way we craft our lives and the effects that
result for ourselves, and others.

Genius and Brain States
Higher gifts of creative genius occur in  fine arts, inventions, athletics,  the perception of new truths &
in the power of new choices and actions. They form a  planetary & cosmic history of our race.  Works
of genius probably come from a subliminal up-rush & an emergence into  awareness of ideas that the
individual has not consciously originated, but which have shaped themselves beyond his will, perhaps
originating from a higher intelligence or from the Cosmos

Psycho-acoustics are a theory of  how music, sound & language can affect mind, body and emotions,
catalyzing brain states to change at the listener's will. One can learn to pull up insights to certain pro-
blems or goals__ more easily meditate, visualize and dream creatively. It also helps strengthen ment-
al functioning. Great artists, scientists and other persons of genius  have used it throughout history. It
can also enhance sports performance.

When our brain waves increase to
33 Hz,  the brain wave state of K-Complex usually occurs in short
bursts, promoting the "
ah-ha" experiences of artists' & inventors' inspirational modes.  Our brains can
touch levels of  
150 Hz__  "super-high beta states",  producing psycho-spiritual phenomena  such as
OOBE's (Out Of Body Experiences) & the Kundalini-Creative Drive,  which sends tremendous energ-
etic surges through the central nervous system io the brain & out into the peripheral nervous system.

Completing the
Twilight Time Stage of evolution__ we enter the  True Enlightenment Stage where-
in energy artists begin  taking responsibility  for their own growth in  consciousness__ choosing whe-
ther or not to act upon inner guidance & realizing that they are now
co-creating with Spirit__ not sim-
ply being "obedient
". These later stages of consciousness development  can cause artists, inventors
or athletes to appear rebellious or arrogant,  as they seldom care for unnecessarily rigid laws and su-
perficial, socially proper procedures.

We monitor ourselves at this Stage,  observing  not only what we do,  but also  what we  think & feel.
We feel more Alive  when linked with this advanced creativity,  no longer concerned only with  "doing
our own thing". Neither is  "
Who am I?" important at this Stage;  we've already learned those lessons.

Our new-found higher creativity  cannot function within  strict authoritarian systems.   We're
seen as  threatening to the systems  because we keep asking  why,  why not,  what's better,
or what else might work?

Science has been our mainstream 20th century Belief System, a particular way of discerning
what we think is real __ a virtual religion
.

In former times when organized Religion and Government merged, Holy Wars, Genocide, Inquisitions
and the burning of "witches" resulted. The world
believes in science now__ looks to science for  sec-
urity & for answers as it once looked to a deity. With Government, Corporations, Science &  Religion
merging in the 21st century,  new legal, illegal and technological methods for limiting & purging those
who oppose such hierarchies have recently emerged.

In a True Enlightenment Stage, we need a new belief system__ and it must be open-ended.
Christ
didn't "save us" by dying on a cross. He did not die on the cross__ His life demonstrated how
each of us has advanced creative powers within us, based on Unconditional Love
;  & He showed us
how to "Save" Ourselves by being in a direct, personal relationship with  Spirit/Creator that needs no
"middle-man" to interface with Spirit/Creative Force, and thereby ascend into a higher dimensional re-
ality which can override suffering and death.

Many old organized religions are either changing or dissolving. Information in this web-book helps e-
ach of us clear ourselves so we can create  our own individually designed spiritual path. Every relig-
ion in the world has had__ or now has__ at its foundation, disciplines that lead an individual into ph-
ysical, mental and emotional states to produce the  brain shifts called__
"altered states of consci-
ousness"
.

There's a reason for this
: When we are connected with our Higher Self/ Higher Brain/ Creative Force
Field__ not even the best computers can match our intelligence . It may be that Humanity  
must deve-
lop  this part of their Being-ness  to enable us and our planet  to survive.  The climates  are changing,
population is exploding,  the environment is becoming polluted and radioactive,  more & more sudden
revolutions are erupting a-ound the globe,  and we are using up Earth's resources at a greatly expan-
ded rate.

We've long known how  every year that passes presents a  Doubling of Information over the previous
year, and our world is changing  faster than we can  adjust to it.  How can we bypass this information
glut?  There will soon be a complete lack of structure,  stability and certainty. The only way to handle
this is to  let go of the old linear ways of thinking,  connect with our  Higher Intuitive Powers,  and see
the Wholeness of the chaotic shifting moment by moment.

Survival of the Fittest still applies__ but no longer to the strongest, biggest, wealthiest or most power-
ful. The "fittest" now,  are those who can best attune to Spirit/Creative Force & meet the needs of our
Planet and Her life-forms in accordance with the highest good of all concerned.

Self-security is rooted in our ability to change as needed__ to pull our roots out of a  no-longer-
working past, current activities and  cultural issues  or a dire future vision__ and reach toward Spirit's
Universal Purposes. Using
Higher Mind power, we approach life from a scientific point of view, exper-
imenting with actions, thoughts and emotions
to bring forth the magic from within ourselves.

The physical body and our exterior environment represent the canvas of our  energetic artistry__ and
our thoughts, feelings & Intentions  become the pens, pigments, tones, magic wands or clay manifest-
ing our resolutions.

At  
Grand Teton Institute,  master healer  Bob Fritchie,  (http://worldserviceinstitute.org)  said: "Your
Truth is  what you can do__ what you can make happe
n."  Bob recently added the phrase:  "with the
Creator's assistance
". When we energetically imagine & intend a new future for ourselves as if it was
already actualized
,  we are "Creating From the Future". Then we relate that vision to others who may
choose to do the same.  We alone are the judge of our worth. As we discover & cherish  our own uni-
queness,  we relinquish the need for  external approval.  Every conscious choice  is an opportunity to
give ourselves a gift for the future__ so we live according to visions of benevolent futures, rather than
by past trauma-dramas. In time, our trans-personal plan expands into a Collective Plan.

The
Basic Multi-Dimensional Technologies  (Part II)  taught us to  transmute the negative rather than
to
absorb it.  As Energy Artists,  we seek ways to  recycle that negativity  and send it out into the cult-
ure via music, poetry, dance, sports, painting, astrology, invention, gardening & education, humanita-
rianism, etc. This recycling has to be creative
;  the more creative  the outlets, the more negativity we
can transmute without it impacting our bodies. The more creatively we
project energy,  the less it aff-
ects us personally or collectively.

Density Shifts
When we have mastered the Basic Multi-Dimensional Technologies,  we can enter other dimensional
realms & harvest knowledge to enrich our own and others' lives.  Many Cultural Creatives believe the
Great Pyramids of Egypt & other ancient monuments  might have been used  by humans  to transport
consciousness and,  possibly__ physical bodies between  densities or dimensions.  The recent Earth
changes are now creating a planetary environment  that allows for  inter-dimensional travel  without a
use of sacred structure.

What is it like to suddenly find yourself in an other-density reality?

The Black Pyramid                   
December, 1995: Hal & I visit the new  Luxor casino in  Las Vegas. Locally referred to as the "black
pyramid"  it's modeled on the scale of the Great Pyramid of Egypt. We have heard strange stories a-
bout the construction of this building
: Dizziness, accidents & illnesses  frequently plagued the work-
wers.  Materials & equipment un-explainably disappeared & then reappeared  in other places. Many
quit their jobs, insisting the building was jinxed.

The pyramid has a  black glass-like exterior.  In the late winter afternoons  it's eastern front face sits
in deep shadow,  looming dark & foreboding above us.  We're traveling back to
 Arizona from Chris-
tmas in
Idaho and have little spare time, but I really do want to check out that pyramid. With no par-
king spaces open,  we agree that I'll dash inside  for a quick look  while Hal drives around for fifteen
minutes, then meets me at the front steps.

I ascend the steps  from the parking lot  just as a trolley car  discharges visitors  from other  casinos.
As we walk up the path to the huge Sphinx carport in front of the pyramid,  sunlight reflects from the
tall obelisk out front.  It's hieroglyphics  and the word,  "
Luxor'  in shining gold letters on its side,  do
seem vaguely comforting.  I've never been to
Egypt in this lifetime,  but I smile broadly  as an oddly
familiar sensation begins to 'ping" inside me, signalling that something unusual is about to occur.

Under the Sphinx carport,  shuttle buses, limos & taxis discharge passengers,  and a throng of visit-
ors move up broad steps to the huge front doors,  set deeply into rock walls.  The ceiling drops tow-
ward the entrance  in a series of inverted steps,  seemingly funneling us into an  underground "slot"   
and emphasizing  the heaviness of th e massive stones above.  I imagine myself  to be climbing  up
the Grand Gallery  to the King's Chamber in  Giza's Great Pyramid.  Feeling somewhat lightheaded
and breathless, I sit down on a stone bench trying to grasp what I'm experiencing. I feel so very pe-
culiar, yet everything I see, hear or touch seems quite normal.

After a few minutes, I decide I'd better pop inside &  have my look around  if I'm to meet Hal on time.
Ten feet into the lobby, I'm impacted by the soaring height & vast pyramidal interior__ painted white
in startling contrast its the black exterior.  Curiously, I see nothing really amazing, &  the energy ins-
ide this place does not seem at all unusual, so I turn and leave__ a bit disappointed.

Hundreds of people  are now trudging up the side path  to the pyramid,  but I'm the only one leaving.
I'm nearly forced off the sidewalk by the crowd__ almost as if I'm invisible to them. They're all wear-
ing costumes of various  nations, races  and cultures.  I never noticed anything like that  when I first
approached the pyramid. What's going on?  The general impression is of people of all ages & races
bringing their kids to this casino. No__ it's more as if the children are bringing the families here.

The dark base of the black pyramid parallels the walk,  & when I glance up  to where its upper edge
meets the sky above__ it's hugeness  grabs my entire range of vision. I feel disoriented and slightly
wobbly for a few moments, for the line where pyramid & sky meet  appears to me as an  actual hori-
zon, as if its
me__ not the pyramid__ leaning at a slanted angle, I recall how Egypt's Great Pyramid
angles upwards from the ground at fifty-two & a half degrees. It certainly affects one's balance!

By the time I reach the steps,  the trolley car is back__ But it's empty, dark and silent now. In fact__  
there aren't
 any people around at all!  What a contrast to just a few minutes ago  when I almost had
to elbow my way through the crowd.  But without people present,  I can clearly see that Hal is
not at
the steps as planned. My watch shows only fifteen minutes have passed. Then I spy our pickup par-
ked at the end of the nearest row. But where's Hal? Has he gone inside? But I'd have seen him
;  I've
never been far from the entrance and was inside only a few minutes.

I stand at the steps  wondering what's happened  to all the people  and to Hal,  noting there are now
no buses, limos or taxis  under the Sphinx, either__ Is there another entrance?  I hurry to the pickup,  
pawing keys out of my purse  as a maroon car  pulls up beside me.  A young woman asks,  
"Are you
leaving now?
"__ obviously  hoping for the parking space.  I say, "Not yet,  I have to wait for my husb-
and
." She nods and gives me a Mona Lisa smile, as if our words have double meanings. Hmmm.

I sit inside the truck, as  cars, people & children once again swarm past through the parking lot. Se-
veral generations of families stroll together, many carrying flowers. Is this the future, and I'm seeing
families brought here by their youngsters? The inner voice says,"
Brought here to what is now an an-
cient sacred site, where humans once worshiped their two gods__ "Monnee" and "Mawsheens."

I chuckle as parents lift little children high over their heads, laughing and singing.  Others hug each
other or skip along together. Here and there, young couples,  obviously in love,  hold hands  as they
saunter along, then dash between parked cars for a quick kiss or hug. Everyone seems to be in love
with Life, and Love is being expressed in every word, gesture and body posture.

Then a space opens near me  and the maroon car I'd seen earlier glides into it. A young man is driv-
ing now,  and the girl  who'd earlier asked about my leaving  is sitting beside him.  They exit  the car  
with overnight bags  & a picnic basket,  linking arms as they  head toward the pyramid.  I'm enjoying
myself so much and feeling so great,  I completely forget  about Hal.  Although I can  clearly see the
steps from the truck window,  he has never been there. I look at my watch and am shocked__ nearly
two hours have passed since I went into the pyramid! The winter sun is now very low in the sky, and
it's  getting chilly. My good mood quickly dissolves  as I become  increasingly concerned  about Hal.
Why hasn't he returned to the pickup?

Suddenly, I spy him atop the steps.  He's watching more people coming out of the pyramid,  but nev-
er glancing behind him  where he could easily  see me in the truck.  I decide  I'll have to get out and
call to him.  

But strangely__
I don't to want to__ I really like my  warm, fuzzy future world.  I don't want to leave it.
I struggle over the decision to return to  everyday reality  with its stresses and cares,  or stay where I
am. Then, realizing that  while I'm sitting here  smugly enjoying a wonderful future probability inside
a warm car, dear Hal is out in the chill wind worrying about me,  so I'd better act from Love. I get out
of the truck, call and wave to him, and he returns.

Later he tells how he found a parking space right away, then went to wait at the top of the steps. But
I never came out. He saw many people coming and going, but never saw me go by or go to the truck,
although he'd checked frequently. After forty-five minutes, he went back to the pickup for his sweater
__ but I hadn't been there!  He immediately returned to the steps,  never having taken his eyes off of
them, and waited yet another hour.

Next day we hear of other couples who disappeared from each other in the pyramid's hotel rooms or
on the casino balconies. One couple  was separated  for eight hours  before reuniting.  I realize then
that Hal and I had been in the same Space, but in different Time dimensions, invisible to each other.

But this time__ my physical body moved into a higher dimensional state right along with my
consciousness!
                                                              
                                                                            ***
Spiritual gifts began to develop in our Study Group as contact with the  planetary mind  helped us un-
derderstand  our  individual roles  within  the Greater Plan for Earth.  Intuition evolved.  Group consci-
usness increased activating occasional Telepathic communication.
Psychometry__an ability to "read"
the vibrational history of objects within the planet's material plane__ sometimes occurred. Other spirit-
ual gifts are t
ranscendence of time,  multidimensionality,  omnipresence,  omniscience,  speaking or
understanding foreign languages
and continuity of consciousness, whether awake or asleep.

We move our consciousness  and our bodies  between various times and places  to access  informat-
tion needed for our transcendence,  but we don't really  "go" anywhere.
 All dimensional realities can
exist in the same time,  or in the same  geographical location
.  Other dimensions are not necessarily
like the geometrical dimensions of
3-D__ up & down, left & right, forward & back__ with Time repres-
enting
4-D.  It's more like Music__ with notes and chords  occurring within various energetic octaves.
We'll experience many other-dimensional shifts,  back & forth, as we move into the New Earth Reality.
We will also encounter beings and objects from the past,  from the future, from off-world or from other
densities__both higher & lower.

Double Identity
Summer, 1989: Connie comes for an allergy healing one evening. We receive permission from the
Creator Source, say the prayer of protection,and start to access her energy fields.

After a few minutes, Connie disappears to my physical sight.  I sense her presence in front of me, &  
reach out to grasp her hands. As I do so,  I'm suddenly  floating in outer space  with Earth's  glowing
sphere far below my feet.  I can clearly see Her beautiful, shining blue water with white clouds, gre-
en foliage and brown desert areas lit up by the distant sun. All else is dark, star-spangled space.

'Look at your feet", Connie whispers. She's out here, too!__ and we hug each other, drifting in space
above the planet. Then I recall we're in the midst of a healing, & my hands must be free to complete
the technique.  Connie feels breathless,  so I guide her to the chair behind her.  As I draw in  a deep
breath and step back a pace__ she fades from my sight!

There's a great flash of light, & a young,  very muscular man  now sits in the chair.  He wears only a
skimpy loin-cloth  with sandals laced up his calves  by leather thongs.  His black hair is smooth and
shiny,  cut straight off just below his earlobes  with squared bangs  framing his ebony eyes. It's evid-
ent he's even more surprised than me__ for his eyes are wide open in terror as he grips the arms  of
the chair with white-knuckles,  and stares bewilderingly around the room at the TV,  the micro-wave
and electric chandelier. I note his body is covered with a light sweat, as if he's just  come from a ve-
ry hot, humid climate.  I can even smell him and his leather garments.  He seems very familiar, and
then I recognize him from a past life among the Mayan colonists at
 Cahokia Mounds, Illinois__It's
me__me as a mound-builder__over 10,000 years ago!

"Connie, where are you?" I call out, and she answers, "Right here in the chair."

"
Do you see this man here?" I ask, but she says no.

On the man's left wrist,  a cord leads down towards the floor to a huge black jaguar  lying beside the
chair. Now it's my turn to be frightened!  But the jaguar looks lovingly at me with her huge blue eyes.
She exudes so much feminine energy and love that I'm speechless. I see the cord connects to a dia-
mond or rhinestone collar around her neck.  I wonder__ who has whom "on the leash", for the jaguar
seems the more powerful & confident of the two figures. At this, they both slowly fade from sight and  
I see Connie in the chair again. Pulling myself together as best I can,  I complete the healing techni-
que and close her energy fields. Connie rests, and we discuss this very strange joint adventure.

I later learn that the black jaguar is a  Mayan shamanic symbol for  shape-shifting & Inter-dimensional  
travel
. There was once a Jaguar Cult among several  ancient civilizations  of Earth__ offshoots of the  
Cat, or Lion People from the
Sirius Constellation. It was active in Mayan times in the Yucatan,  East-
er Island
, in Zimbabwe, Africa, and among some Egyptian cults.

The Jaguar symbolized  all the power emanating from
 Mother Earth__ a Goddess/Universal Mother,
Lady Gaia in Her animal Totem form.  Shamans used  Jaguar Power  to pass into  other densities of
reality while still on earth  in physical form.  The "leash",  reaching from the black jaguar's collar to the
wrist of the Mayan man in the above episode,  symbolizes our attachment to Earth__ that we "belong"
to, and are a part of Earth and Nature.

As the feminine energy reactivated on the planet and in all life-forms here since
December 21, 2012,  
the "
Return of the Goddess" is immanent.  It was in full and mature power in the Mayan Native Ameri-
can Cultures. It is the missing complement__ the "other half"  of Spirit-Creator Source__that holds the
key to our current survival and cooperation with Earth as The Goddess-Spirit-Creator Source.

The masculine, material technology  we've created on our planet  is actually a  
distortion of our inher-
ent human ability to  Create in and with  Nature__ to Co-create with  Gaia's  Kingdom of Nature__ the
minerals, plants, animals and humans. The male side of our humanness  has gone too far__ ravaging,
raping and abusing the physical planet to bring forth minerals, metals, oil, etc.
;__ and to create mach-
ines, bombs, weapons, diseases, radiations and chemicals which further  destroy and pollute all Earth
and Her life-forms.

We've been told we could "
tame" Jaguar/Nature's  Power__ could  "Keep Her Under Control"__ "on a
leash
"__but instead we've been destroying Her. Mayan prophecy says when the Jaguar species dies
out __ so will Mankind.
                                                                                
***
In the True Enlightenment Stage, both subconscious and super-conscious levels fully open to us. We
access needed information on any subject what-so-ever, affect matter & energy with our intentions, e-
motions and thoughts__ consciously & deliberately accelerate our own spiritual evolution,  have grea-
ter access to creative sources and transcend Time and Space. Christ, or Unity Consciousness, is the  
mastery of all densities & dimensions.

Out-Of-Body Experiences,  (OOBEs) & Near-Death-Experiences, (NDEs),  such as in the Black Pyra-
mid episode and the mystical encounter at the dentist in
Part II., are classic examples of experiencing
in other densities/dimensions.  Do we really need physical bodies? Maybe our bodies have a  greater
identity, too.  
Pablo Picasso said he left his body outside the door  when he painted, and while doing
so,  became part of the creative process  that is related to being enlightened. Through expanded den-
sity & dimensional encounters,  we connect with a far more inclusive consciousness  & begin to recall
a collective past & future. We come to learn  
Who We Really Are: Individual particles of a Collective
Greater Self__ an Infinite, Loving, Intelligent, Self-Organizing Creative Life Force.

True Transformations
"Future Memories" are adventures in other density realities that trigger off "brain shifts" in people who
experience spiritual transformations, religious conversions, NDEs, shamanistic vision quests, kundali-
ni breakthroughs, certain types of head traumas or being hit by lightning.  However, these brain shifts
can also evolve  through the slow,  continual practice of  spiritual disciplines,  mindfulness techniques,
or during prayerful states, simply because a person wishes to be a better person!

If we have OOBEs, Bi-locations, NDEs or other intense transformative adventures, we'll wonder if we-
've had a  hift in consciousness,  or just some kind of "high",  like at a crowded,  noisy rock concert or
a stirring religious pageant.

How can we be sure that these reversals are genuine transformations?

Legitimate brain-shifts foster permanent consciousness changes,  & remain in effect for the rest of our
lives__ or until another episode produces another brain-shift. An individual who is in a process of shif-
ting, or has had a partial or full brain-shift, will demonstrate definite behavior changes during and after
the causal event.  See
Archives for details.

It has often been said that Art Imitates Life.  In
True Enlightenment Stages,  however,  Life can imitate
Art. With ENERGY as our new creative medium, we transform ourselves & surroundings with mind, e-
motion, intention and belief, as well as through words and actions.

Up until now  we've been learning how to  Cope with Change
;  now we are learning  to use Expanded
Creativity Skills__

TO DELIBERATELY ACTIVATE CHANGE.  
If you retain nothing else from this chapter, please remember
: Ask permission from Higher Self &
Spirit before attempting to CREATE WITH ENERGY ALONE.

David Wilcock
#111. Gaiam TV:
"Group Intentions affect the Electromagnetic Field Fluctuations, and can be measured by computers.
Therefore, we can also affect physical matter  in our own reality.  Experiments with  Water's Memory
Retention in white blood cells began in
1985, when bio-molecules communicated with their receptor
molecules by sending out low-frequency Electromagnetic signals which the receptors picked up like
radios tuned to a specific wavelength__ those from
Torsion Fields.  How could a molecule act as an
antenna for
EM wavelengths of several kilometres?  And how does water's memory fit into all that?"

"Torsion Fields have
non-locality. Can our DNA Electromagnetically 'TELEPORT' itself? Our univer-
se can exchange information with computers
; so we can do so with  living and  non-living forms. We
can affect the flow of  Electricity  in the computer__ so,  why not affect  what's in water?  
Conscious-
ness can generate Torsion Fields  that change the structure of water, and hea
l__ because Earth and  
All Her LIfe-forms have water in them, too
!"        

Is our Universe made of Unity Consciousness,? It must, in order to "work" the way it does!

                                                                           ****   

                        NEXT:  "THE POWER OF SOUND & ART AS A COMMON BOND."
"CREATING with MULTI-DIMENSIONAL TECHNOLOGIES"
By MARILYN LA CROIX
UPDATED